 |
 |
 |
 |
|
Introduction
I Table of Contents I Previous
Example I Next Example
PRE-COLUMBIAN
OBJECTS
Metals - Masks
|
|
|
Tumaco-Tolita
Masks
Origin
I Characteristics I Urgency
of the Situation I Legislation I Bibliography
|
 |

|

|
|
Tumaco-Tolita
mask,
gold, 17 x 16.8 cm
|
Tumaco-Tolita
mask,
gold |
Tumaco-Tolita
mask,
gold, 43.5 x 49 cm |
| |
© Museo Antropológico del Banco Central |
© Museo Antropológico del Banco Central |
© Museo Antropológico del Banco Central |
|
|
 |
--Origin
|
|
| |
Colombia and Ecuador.
|
 |
--Characteristics |
|
| |
The terms "La Tolita"
(in Ecuador), "Tumaco" (in Colombia) or "Tumaco-Tolita" cultures refer
to a set of pre-Columbian artifacts that have been discovered in the area
comprised between the river mouth of the San Juan River in Colombia and
the San Mateo Bay, in the extreme northwest of Ecuador. It is characterized
by the quality of the gold work, from which gold masks stand out. They
date from 600 BC to 200 AD.
The specific places of origin are unknown because they have not been discovered
by means of scientific excavations. Nevertheless, it is known that they
are associated with the burials of high-ranking personages and they are
recognizable on the surface by the artificial mound of dirt or tolas with
which they have been covered.
Generally, the masks are made of gold or tumbaga, a gold and copper alloy
of golden color. The dimensions vary but have an average size of 17.5
cm long and 13.6 cm wide.
They are made of one or more thin plates that have been hammered and embossed.
The most common ones have the form of a human face, with a rounded form
and the top part cut horizontally, and sometimes with openings in the
eyes and the mouth. They have simple features, with varied details according
to the pieces. The most characteristic elements are almond-shaped eyes,
a wide nose, and a thin, horizontal mouth. The eyes are embossed on the
plate or formed by separate plates attached to the mask by wires. The
masks can also have ear spools and nose ornaments. Small superposed or
hanging plates that form features or adornments are typical.
Smaller masks also exist and are used as pectorals, characterized by animal
forms, generally a feline with big fangs and the lack of openings. They
are plates with embossed features and narrow bands cut from the sheet
projecting like sunbeams or feline whiskers.
|
 |
--Urgency
of the Situation |
|
| |
The importance of
the masks lies in their very detailed work and originality that shows
extremely developed gold and silver work, reflecting at the same time
a high social hierarchy and an intense religious and ceremonial lifestyle.
The looting of the tolas or archeological mounds has been going on for
centuries, previously by gold hunters and currently by numerous traffickers
of archeological artifacts. So much so, that of the 40 tolas that existed
on the island of La Tolita, only 16 remain.
As a result, there are only 20 masks found within Ecuadorian museums,
making the gold masks extremely rare and precious objects.
The Carlos Zevallos Menéndez Museum, of the Cultural Center Núclea del
Guayas (Guayaquil, Ecuador), had two robberies, one in 1979 and another
in 1987-88.The last one was the most disastrous, given that in order to
cover the great robbery, burglars set an intentional fire that destroyed
numerous pieces, amongst them masks and other gold artifacts. None of
the pieces have been recovered.
|
 |
--Legislation
Protecting these Objects |
|
| |
See Colombia
and Ecuador
|
 |
--Bibliography
|
|
| |
- Actualización
del conocimiento Arqueológico en la Costa Ecuatoriana, Museo del
Banco del Pacifico, 1994.
- Bouchard, Jean
Francois & Usselmann, Pierre. Trois millénaires de civilisation entre
Colombie et Equateur : La région de Tumaco La Tolita. Paris, CNRS
Editions, 2003. .
Top
|
| |
|